Following this with a tense Ennio Morricone instrumental (“The Braying Mule”) makes perfect sense, and if you listen closely to the song's beginning you can hear the needle dropping on the record. But more importantly, it lets fans know exactly where the inspiration for Django Unchained came from. It plays like an Elvis impersonator singing over a spaghetti western song. In pure Tarantino form, he opens with Luis Bacalov’s “Django” from the 1966 exploitation film of the same name.

Though his score to 2012’s Django Unchained is no exception, one noticeable change here is how Tarantino contrasts plenty of obscure record-collection gems with contemporary recordings from less obscure artists. These replicas made for the film will also be visible on the Couleurs Jazz’s booth (La7) at Musicora, Grande Halle de La Villette, on April 29 and will be played by the best gypsy jazz performers.Īnd finally, on the musical level, the “Django’s Mass”, or at least what it remained and imagined by Jean Reinhardt, is a magnificent moment at the end of the movie and a magnificent composition.Anyone familiar with Quentin Tarantino’s films knows that his soundtracks show him to be equally enthusiastic about music. (Stochelo Rosenberg : guitar lead, Nous’che Rosenberg : rythmic guitar, Nonnie Rosenberg : double bass)īut also by entrusting the making of the mythical guitars of the film to Jean Barault, self-taught luthier who currently provides the greatest Gipsy style performers in France and in the world. The Production made the best choices.Īlready by entrusting the interpretation of some Django standards, such as “Les Yeux Noirs”, “Vendredi 13”, “Nuages”, “Blues Clair”, “Blues en Mineur”, “Manoir de mes Rêves”, “Belleville”, “Tears” and the inescapable “Minor Swing”, to the excellent trio Rosenberg, one of the best currently gGipsy bands … And not only virtuoso. The fact remains that one does not get bored and especially because the soundtrack and the music in particular, are just perfect. On the other hand, the character played by the excellent Cécile de France is totally incongruous, since she has not existed.

The second roles – most notably “Mama Reinhardt” performed by BimBam Merstein, and Hono Winterstein – are not only fair but completely credible. It is not the image (physical and mental) that we have in mind about Django. The main actor of Etienne Comar’s movie, Reda Kateb is excellent as expected and yet one can not believe him so much. The biopic expected* on Django Reinhardt, the first international guitar heroe, who is still modern, played and studied all over the world, is a romance movie very “mainstream”.

Django livre soundtrack torrent